tinite photography blog

The professionals are selling their digital SLRs. Canon 5D MKIIIs are already popping up next to Nikon D4s in car boot sales. And if you want to keep taking pictures with those cheap lumps of plastic, then you can probably pick them up for a tenner each.

But no one’s shooting digital anymore. I’ve converted. And here’s why:

c-imag is the new imaging sensation. It offers the skilled photographer countless advantages over standard digital. Scientists have worked with photographers to do away with pixels – for good. c-imag offers significantly improved dynamic range – you’ll get more detail in the shadows and the highlights. And the new generation of c-imag cameras won’t need batteries, because there’s no LCD screen. All the controls you need, from aperture to shutter speed, are at your finger tips with the turn of a dial.

If a battery-less, pixel-less camera with amazing dynamic range isn’t enough then you can also look forward to great resolution (approximately equivalent to ∞ megapixels). c-imag cameras are full frame, with huge viewfinders, and all the c-imag photos you take have built in copyright protection (just try copying them without a light source, the correct chemicals and some spare time). While a Nikon D4 boasts 11 frames per second, a c-imag camera will shoot as many frames per second as you like – limited only by your own speed and dexterity.

All this is going to cost, right? Westman Coda-K, the embattled photographic company who launched c-imag, are going to need to make all their research and development costs back, right? This sort of thing doesn’t come cheap, does it?

That’s the best bit. You can pick up professional c-imag cameras today from as little as £50. And for around £3 you can get yourself a roll of 36 c-imag sensors (just imagine what 36 full frame digital sensors would cost you).

So, that’s why I’m giving up my digital for c-imag. What’s stopping you?